![]() She won’t get the job, and much of the episode highlights Wendy’s depression in 2007, one of the reasons that Marty ends up taking the Del job - to bring a cash influx into their lives. But Wendy had to take time off to start a family, so her finger is not “on the pulse” enough to run a campaign, even if she thinks this new network called Facebook is really going places. Wendy is at a miserable job interview, being judged by someone younger and less qualified. When Louis is next seen on the links with Del, Marty, and Bruce, it’s clear how close the G-man has been this entire time, which explains why he’s so obsessed a decade later. It turns out that Petty was trying to flip Del’s laundering operation before Bruce even got involved, pressuring a weasel named Louis (Ivan Martin) but not getting very far. The episode then jumps around in 2007 to tell several origin stories, including how Marty/Bruce got involved with Del and the drug cartel in the first place and how Agent Petty has a personal connection to stopping them. “Any decision, big or small, has an impact around the world,” he says, just before Marty and Wendy are hit by a car. In fact, that’s what Marty Byrde, who looks much happier and healthier, is talking about in the opening scene. The choices made in 2007 will lead to the loss of life ten years later in the heart of the Ozarks in ways that no one could have ever predicted. Still, it does build on an interesting theme within the show about how decisions ripple out across the country. Still, it’s a poorly constructed hour, jumping around in time within its flashback in a way that ultimately feels manipulative. Taking a break for a chapter that unfolds entirely in flashback is an interesting choice with so much building tension on the show. It is destined to become a treasured collector’s item.The eighth episode of the first season of Ozark is one of its most ambitious and yet also its least effective. Don’t miss the opportunity to own this historic collection of photos in its entirety. Kaleidoscope Eyes reveals the Beatles at the height of their creative powers, recording the body of work many would hail as the greatest album of all Also included is a portfolio containing four limited edition black and white museum-quality prints and a reproduction of one of Henry’s original contact sheets – all suitable for framing. The book’s 240 silver-edged pages are printed on heavyweight art paper with image varnishing. Strictly limited to 1967 hand-numbered copies, each 11” X 11” hardcover book is individually hand-signed by Henry Grossman and housed in a deluxe clamshell case. The result is a stunning photographic essay, an intimate fly-on-the-wall view of the Beatles at work. Housed in a deluxe limited edition volume, these beautiful images are presented in chronological order, allowing the evening to unfold for the reader just as it did for Henry. Curvebender is proud to present – for the first time ever – the entire collection of black and white photos, including more than 220 never-published pictures. Only a small handful of these amazing pictures has ever been seen by the public. Henry documented the entire session with his camera, taking more than 250 black and white photographs over the course of the evening. However, American photographer Henry Grossman spent an evening in the studio with the band as they began work on a new song: “Lucy In The Sky With Diamonds”. Though the album took five months to record, few of these groundbreaking sessions were photographed. Pepper’s Lonely Hearts Club Band, writing, recording, and experimenting behind closed doors at EMI’s famed Abbey Road studios. ![]()
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